These three Port Elizabeth plays, which established South African playwright Athol Fugard's international reputation more than twenty years ago, examine with passion and grace close family relationships strained almost unendurably by the harshest of economic and political conditions. «A rare playwright, who could be a primary candidate for either the Nobel Prize in Literature or the Nobel Peace Prize.»–Mel Gussow, The New Yorker ...
"If there is a more urgent and indispensible playwright in world theatre than South Africa's Athol Fugard, I don't know who it could be."—Jack Kroll, Newsweek One of the true contemporary masters of the stage, South African playwright Athol Fugard has written one of his most stunning works. Sorrows and Rejoicings explores the legacy of Apartheid on two women—one white, the other black—who on the surf ...
•major productions across the U.S. •New York premiere scheduled for the Manhattan Theatre Club in January 1999. •the 10th title by Fugard published by TCG • Cousins 1559361322, sold 2400. • This title follows the story in Cousins ; this is an extension of the same story. • Author starts, directs, and writes ...
*Andre Gregory co-author with Wallace Shawn of «My Dinner With Andre» directed by Louis Malle *This year long exploration of Chekhov subject of 1994 film «Vanya on 42nd St» directed by Louis Malle ...
first new collection for Bogosian since 2005 (Humpy Dumpty and Other Plays)ninth book by author published by TCGover 80,000 copies sold of the author’s work to datecover art by noted designer and artist John H. HowardEric recently appeared in Donald Margulies' Time Stands Still on Broadway ...
– Most recent play produced at Lincoln Center Theatre in NY. – Recent feature article in the «New Yorker» (6.28.09) – Originaly premeired at the Woolly Mammoth in Wahshington D.C. ...
"A lyrical and understanding chronicler of people who somehow become displaced within their own lives. . . . Mr. Lindsay-Abaire has shown a special affinity for female characters suddenly forced to re-evaluate the roles by which they define themselves."—The New York Times With his latest play Good People, David Lindsay-Abaire returns to Manhattan Theatre Club where four of his previous works were produced, including his 2007 Pulit ...
