Dagur Kari�s Noi the Albino (Noi albinoi, 2003) succeeded on the international festival circuit as a film that was both distinctively Icelandic and appealingly universal. Noi the Albino taps into perennial themes of escapism and existential angst, while its setting in the Westfjords of Iceland provided an almost surreal backdrop whose particularities of place are uniquely Icelandic. Bjorn Nordfjord�s examination of the film ...
To Ellen Dissanayake, the arts are biologically evolved propensities of human nature: their fundamental features helped early humans adapt to their environment and reproduce themselves successfully over generations. In Art and Intimacy she argues for the joint evolutionary origin of art and intimacy, what we commonly call love.It all begins with the human trait of birthing immature and helpless infants. To ensure that mothers find their demandin ...
An unexpected detour can change the course of our lives forever, and, for white American anthropologist Margaret Willson, a stopover in Brazil led to immersion in a kaleidoscopic world of street urchins, capoeiristas, drug dealers, and wise teachers. She and African Brazilian activist Rita Conceicao joined forces to break the cycles of poverty and violence around them by pledging local residents they would create a top-quality educational progra ...
In Underdog , poet Katrina Roberts draws on wide-ranging historical and cultural sources to consider questions of identity, to ask us to meditate on how each of us is “other” – native, immigrant, sojourner, alien – and to examine our at-once shared and foreign frontiers and margins. Throughout the book, the writer’s “home” becomes a palimpsest of characters erased and resurrected. In boldly inventive poems, she addresses the lives of Chinese im ...
2011 Outstanding Title, University Press Books for Public and Secondary School LibrariesBroken Ground employs a construction project in the Oregon desert as the basis for a story with far-reaching political and moral implications. Hank Lafleur has been sent to supervise the project, which is a prison-for-profit financed by a multinational corporation under government contract, and meant to house felons, illegal immigrants, and, as Lafleur comes ...
Ingmar Bergman's 1963 film The Silence was made at a point in his career when his stature as one of the great art-film directors allowed him to push beyond the boundaries of what was acceptable to censorship boards in Sweden and the United States. The film's depiction of sexuality was, as Judith Crist wrote at the time in the New York Herald-Tribune, «not for the prudish.» Yet Bergman's notebooks and screenplays reveal his tendenc ...
